Board Thread:General Discussion/@comment-24032889-20180213075134/@comment-24032889-20180214180226

@StickyPhantom- Yeah, that one gets me every time. The fact that Weiss was finally able to break down in front of someone else with all the emotional frustration of her time in Atlas and the bandit camp was very much needed catharsis (release). And the music from Home combined with the particle effects of the disintegrating Knight clinched it for me.

@Blizzard Dragon- I do have to agree with you on 3 and 5. They're both great examples of having no dialogue but letting cinematography and music carry the emotional weight. And 2 was a great moment to have there for Ilia since she's honestly my favorite character to be introduced after the Beacon arc. And 3 was music from Boop actually that seamlessly transitioned into music from Home, so it was all the better.